Beschreibung:
<p>In the very first issue, and in almost all issues thereafter, a section of the <italic>Revue de musicologie</italic> was reserved for the presentation of new editions of music, something that the founders insisted upon in the effort to support the development of music publishing. In this article, with this effort in mind, we propose to examine the entirety of these texts from both a factual point of view (the numbers of entries as they evolved over time, the identities of the cataloguers, the chronological and geographical limits they established) and from the point of view of the publications themselves (that is, the relative importance of their scientific and practical utility); and we attempt to witness, through this specialized prism, the development of French musicology over the last ninety-six years.</p>